Halo on the Inside by Circuit des Yeux

Haley Fohr, better known as Circuit des Yeux, has just dropped Halo on the Inside, a deeply dark and electrifying album that takes her sound to a new level.

Released March 14, 2025, the album is filled with industrial dance beats, haunting vocals, and an overwhelming sense of transformation. It’s less about specific personal experiences and more about the universal terror and excitement of change.

Halo on the Inside – A Dark, New Sound

From the very first track, “Megaloner,” it’s obvious that Fohr has shifted gears. Gone are the orchestral sounds and guitars from her last album -io.

This time around, she dives headfirst into an electronic world of pulsating synths, deep bass, and pounding percussion.

The track has a gritty, almost underground feel—like something you’d hear in a dark, sweaty basement.

It’s intense, but there’s a strange beauty to it, as if you’re being pulled into something bigger than yourself.

The lyrics, like “fate in all the fires you make,” hint at the larger themes of change and destiny that run through the album.

The music feels like it’s pushing you toward something unknown, both empowering and unnerving at the same time.

Circuit des Yeux – A Personal Transformation

While Fohr’s past albums have been shaped by specific personal events—spiritual awakenings, grief, and self-reflection—Halo on the Inside feels more like a journey into the unknown.

Written in isolation under the cover of night, the album explores the uncertainty of transformation.

It’s a lonely record that feels massive in scope, with the kind of dark energy you’d expect from industrial music, but there’s also a sense of anticipation. It’s about change that’s both thrilling and terrifying.

Tracks like “Canopy of Eden” and “Organ Bed” show off Fohr’s ability to blend the old and new. “Canopy of Eden” hits with a pulsating rhythm that’s reminiscent of ’90s Depeche Mode, but Fohr’s operatic voice and gothic vibe give it a unique twist. “Organ Bed” features a saxophone solo layered over a sea of electronic noise, creating a sense of movement and unease.

Lyrical Depth and Experimentation

Fohr’s lyrics have always leaned toward the poetic, and on this album, they feel more like cryptic, emotional meditations than traditional songs.

In “Truth,” she repeats, “Truth is just imagination of the mind,” letting the phrase morph and twist with layers of vocal effects.

On “Cathexis,” the track feels like a haunted dreamscape, with whispers swirling around like wind, creating an eerie, immersive experience.

Despite the album’s heavy atmosphere, Fohr’s ability to experiment with sound gives it a unique accessibility.

The catchy hooks on “Megaloner” and the self-aware moment on “Canopy of Eden” show that Fohr can play with pop elements, even while keeping things strange and experimental.

A Sonic Wall of Emotion

The sound of Halo on the Inside is colossal, with dense, layered textures that sometimes feel overwhelming. Tracks like “Skeleton Key” and “Cosmic Joke” create huge walls of sound, with beats that seem to come from everywhere at once.

It’s chaotic, but it’s also immersive, pulling you into its world. Fohr’s voice is at the center of it all, cutting through the noise like a guiding light.

It’s both fragile and commanding, adding an emotional depth that keeps you grounded.

The Butterfly and the Beast

Halo on the Inside is a wild ride—a blend of beauty, darkness, and uncertainty. Fohr calls the album “the butterfly and the beast,” and that duality is present in every track.

It’s an album that doesn’t offer easy answers, instead letting the listener sit in the discomfort of change and transformation.

There are moments of grandiosity, but there’s also a sense of vulnerability that makes the music feel alive and raw.

This album shows a new side of Circuit des Yeux, one that embraces the alien and the unfamiliar while still being emotionally resonant.

If you’re into dark, electronic music with a sense of mystery and beauty, Halo on the Inside is a must-listen.